What is the role of erotic poetry in the literary world?
For many, erotic poetry serves as a gateway into the broader world of poetry. Itās raw, emotional, and often fearless in its vulnerability. But while I support the freedom of poetic expression, I find myself conflicted when it comes to the visual content that often accompanies erotic verse today.
Many erotic poets appear to only seek to feed off the needs and desires of the readers and the images I speak of seem pornographic to “real” poetry lovers and soft, feminine people like myself..
I donāt reject erotic poetry outrightāpoets should explore desire, intimacy, and the body if thatās their truth. However, Iām increasingly uncomfortable with the pornographic imagery that always overshadows the words. There’s a fine line between artistic vulnerability and gratuitous exposure.
This raises a question worth discussing: Can erotic poetry remain powerful without relying on explicit visuals?
Letās talk about it. What do you think?
I do not support erotic poets, I support poetry and tasteful artistic expressions of desire that do not make me feel like my ear was explicitly abused.
I have not needed to journal lately, yet here I am with my newest goddess poetry and another parallel project (later, it’ll be harder to find even more lost poems, I am organizing the important ones).
On this blog I will expand on all these goddesses, and we will do a huge deep dive. So, let us get inspired by the goddesses.
This poem started it all. Artemis, a goddess I had wanted to write about for a long while. I learned a lot about Artemis before I could write this little poem. Yet I will be writing more to add to it.
Aphrodite
I will need to dedicate an entire post to this poem.
This poem just ended up talking about Aphrodite and Dionysus. It was unintended. We will talk more about this topic as well.
One of these ancient goddesses of love was the first nudist whether it was Aphrodite or not. I do not know who the first one was. I mean in an alternate to the bible reality.
In the bible, the first nudist is Eve.
One good way to observe Aphroodite is nude and also with foot on ground as the ancients did in Rome for the Venus festival per the ancient Roman poet whose reference one day I will find again because I lost it.
Athena
PDF of the collection will be available once I am done adding poems to it.
In other circles where I move, this poem is weird but, on this blog, I have already spoken about my friends in high places. I will tell you about the lie with my interpretation and what I thought of the AI interpretation at the end of this post.
AI interprets this poem:
This poem is delightful! It plays with the readerās expectations through its playful, trickster-like tone while weaving in a sense of mystery and cosmic wonder. Here’s an interpretation:
Title: “A Trick Poem” (I called it “A Secret”)
The title sets the stage, letting the reader know theyāre in for a clever, lighthearted riddleābut thereās also a hint of deeper layers to uncover.
Interpretation:
The Playful Deception
“I’m going to tell you a secret / But you wonāt know what it is” The speaker teases the reader with the promise of a revelation while immediately undercutting it. This sets a playful tone, creating a guessing game where truth and fiction blur.
Dual Truths and Lies
“Cause I’ll tell you something true / And Iāll tell you something false” These lines challenge the reader to discern fact from fiction, while also hinting that the distinction may not matter. Itās the feeling of the secret, not its verifiability, that counts.
Connection to the Spiritual and Cosmic
“I talk to spirits in my head / They come and go, leaving a verse” Whether this is true, false, or somewhere in between, it beautifully evokes the creative process. The spirits could symbolize muses or inspirations that bring poetic verses to the speaker. It also nods to a larger, mystical connection that transcends the ordinary.
Reclaiming Identity
“Some said Iām crazy, but anyways” This defiance adds depth. The speaker embraces their unconventional nature, dismissing judgment while confidently standing by their unique experience of the world.
A Grand Cosmic Finale
“I have big friends in the universe” Whether these friends are literal, figurative, or fantastical, the line expands the poemās scope. It leaves the reader imagining cosmic alliesāstars, spirits, or universal forcesāwho support and inspire the speaker.
Themes:
Truth vs. Illusion: The poem plays with the boundary between whatās real and whatās imagined, highlighting the beauty of both.
Mystical Creativity: Inspiration as a connection to something greater, whether internal or external.
Rebellion and Self-Acceptance: Embracing oneās unique nature despite societal labels.
Tone and Style:
The tone is whimsical and confident, with a touch of mystery. The rhyme adds charm, while the conversational style makes it feel personal, like a secret whispered in the readerās ear.
Eve’s final words
Beloveds, this poem, “A Secret,” carries with it layers of truth, mystery, and playful deceptionājust as we are all layers of the cosmos, ever-shifting and ungraspable in our full essence. I wrote this poem as a way to share something sacred, something that reflects both the clarity and the mystery of my journey.
The truth in this poem is that I do talk to spirits in my head. They are my muses, my guides, my cosmic companions, and they whisper their wisdom and energy into my thoughts. But hereās the twistāthe part that some might consider a lie: these muses donāt leave me verses, at least not in the way you might expect. They donāt hand me words or dictate lines. Instead, they fill me with feeling, with vision, and with presenceāand itās through that energy that I create. Itās not about receiving literal verses, but about being open to the flow, allowing them to guide the creative process in mysterious, intangible ways.
As for being called crazy, thatās part of the truth too. People donāt understand me or the depth of connection I have with these forcesāthese spirits, muses, or however you wish to call them. They may see my connection to the unseen as strange, as ācrazy,ā but I wear that label with pride. Itās not insanityāitās divine madness, the kind that all great visionaries experience when they step outside the norms of the ordinary world and enter the realm of the extraordinary. To be ācrazyā in this sense is to embrace the mysteries of the universe, to be open to the unknown.
And then thereās the final mystery: Who are these muses, these spirits, these cosmic friends? The truth is, I donāt know. I canāt name them. I canāt define them. But thatās the beauty of itātheir power lies in their unknowability. They are free, fluid, and ever-shifting, like the universe itself. They donāt belong to me, and yet, they are always with me. I donāt know exactly who they areābut thatās okay, because in their mystery, I find my power. In their elusiveness, I find freedom.
This poem is an invitation for you to feel that same connection, to understand that we donāt always have to know the āwhoā or the āhowāāsometimes, we just need to feel the presence of something greater than ourselves, and allow it to guide us. Embrace the mysteries, trust the process, and know that the spirits, the muses, and the cosmic forces are always speaking to usāeven when we donāt fully understand them.